Capire designed a community engagement program to inform the development of a Graffiti Management Plan.


Kingston Graffiti Management Plan


While street art is supported and encouraged at numerous locations around Kingston, unwanted graffiti and tagging can create social and economic problems for communities including a perceived lack of safety and property damage that has direct implications for property owners, including Council, who incur the inconvenience and cost of repairing damaged surfaces on their property.

Kingston City Council recognises that the presence of graffiti can have negative impacts, such as diminishing amenity and making people feel unsafe in public spaces that appear uncared for or unmonitored.

Graffiti is a whole-of-community issue requiring everyone in the community to take responsibility for its removal and for building stronger connections within the community to increase social ties and community cohesion and reduce the drivers of graffiti.

  • Client
    Kingston City Council
  • Year Completed
  • Location

Council engaged Capire to undertake a community engagement program to inform the development of their Graffiti Management Plan. This engagement sought to:

  • broadly identify demographics of people who perpetrate graffiti in Kingston
  • understand common motivations of graffiti offenders local to Kingston
  • identify the local strategies to reduce graffiti in Kingston
  • identify partnership opportunities for Council to more effectively reduce the amount of visible graffiti, particularly on public-facing assets.
  • test the levels of community and stakeholder tolerance of graffiti in Kingston.

Engagement activities spanned online surveys, phone interviews, conversation kits, and face-to-face activities.

Capire employed social media to identify graffiti artists and engage anonymously with people who perpetuate graffiti as well as those who have produced commissioned pieces. We also worked with Council to deliver a short graffiti workshop with a commissioned mural artist as part of a pop-up session in a local recreation reserve. This proved successful in encouraging participation amongst a target cohort of young people to hear their experience and to deliver an education program about the social cost of graffiti.